MY Unofficial Music Man Guitar Page
Finally, My Music Man Sting Ray I - Serial# G001172
(Only 400 made with the white pick guard)
In 1965 Leo Fender, the creator of the Fender Stratocaster
and other electric and accoustic guitars and a full line of amplifiers,
sold his company to CBS Music and stayed with them as a consultant.
When he did, they told him, "It's time to start mass production of these
guitars and amps."
His response was that his guitars were hand-crafted - not made on the
assembly line. When CBS stood their ground, Leo quit. When he quit,in
1966, his crew of hand-craftsmen quit with him.
This made CBS mad enough to file an injunction against Leo stating that
he could never again use the name "Fender" in conjunction with any kind of
musical instrument or accessory and that he could not compete against them
by manufacturing any musical instrument or accessory for seven (maybe it was
5 or 10) years.
During this waiting period, Leo and his men got together and came up with
seventeen patentable improvements to the Stratocaster. This was done while
Leo was with CLF Research according to the book
Fender, the Inside Story by Forrest White.They included these improvements
on the Music Man Sting Ray I and II guitars. Some of the improvements were
Active Tone Controls powered by a built-in pre-amp, New and
highly improved Pick-ups, a Micro-tilt Neck Adjustment feature and
more. (The complete list is below.)
The Sting Ray I that I bought
was the second one sold in the state of Texas because Fred McCord (owner of
McCord Music Company) was close friends with Leo Fender. One was promised
to another guy from Dallas so Leo sent Fred two of them. I had recently begun
working at McCord's as a guitar instructor and was at the Downtown Dallas store
when they were delivered. After looking at it for a few minutes, trying it out,
reading about the features, and thinking it over, I decided to sell my treasured
Les Paul Custom (Cherry sunburst... the "Fretless Wonder") to buy the Music Man
Sting Ray I. We sealed the deal on the spot.
Look at these improvements that
were added above and beyond the stratocaster!!
- Newly developed tuning keys for more precise pitch adjustment.
- New head design to allow strings to pull straight across nut.
- Head design also reinforced to provide extra strength at neck's weakest point.
- Rock hard phenolic nut to resist wear.
- One piece rock maple neck with truss rod installed from rear for maximum
stability and precise adjustment.
- Neck tilt adjustment eliminates need for shims and assures any desireable
action may be readily achieved.
- Dual large magnet, hand-wound humbucking pickups (see below for details on
this).
- Three screw pickup adjustment to allow height and tilt control.
- An internal micropowered preamp (see below for details on this).
- Recessed bridge adjustment screws in individual saddle adjustment sections
which do not interfere with picking or muting.
- Active tone controls creating the ability to change volume without changing
tone.
- Four position selector switch to allow both in-phase and out-of-phase connection.
- Built-in bright switch.
- Solid heavy-duty bridge assembly mounted in brass inserts to improve tone and increase sustain.
- Special tapered string posts to insure tighter winding when putting on new strings.
- Newly designed strap buttons to eliminate the need for strap locks and reduce premature enlargement of straps.
- Three screw neck attachment for stability and ease of adjustment.
*** The two pickups each have twelve (12) quarter-inch diameter magnet posts! The
increased sized magnets improve tonal response to accommodate light guage strings. These special humbucking pickups are hand wound to eliminate microphonic winding and guarantee a tightly wound coil for the best magnetic
performance.
*** The preamp isolates pickups from the tone control circuitry and provides a low impedance
output. It effectively creates a "bass volume" control and a "treble volume" control which allows the "main volume"
control the ability to change volume with absolutely no change in tone, and with a single knob adjustment. The preamp
also accommodates longer guitar cords, greatly increases the output level for better sustain and overdrive, and even
allows you to practice by just plugging headphones right into the guitar!
There's lots more, like the
UNBELIEVABLE 212HD-130 amp I got, too.
Let me say two
things about the guitars. I haven't seen the G&L Guitars lately(they were the first to pick up the Music Man line
after Leo hit hard times) but the Ernie Ball Music Man guitars AREN'T real Music Man Guitars!!
Okay, please excuse me while I plug my sponsor. My sponsor is me.... I spent 15 years teaching guitar, bass, banjo, keyboard, and sitar at McCord Music Company, in Dallas. During this time I developed a method of chord theory that literally is unparallelled in the industry. There are four years worth of chord theory in it. So I put it up for sale on the Internet with HTML, so you can view it as web pages. It is called CHORDMASTER Chord Theory for Guitar. Yes, it applies to guitar. Yes, it applies to bass. Yes, it applies to every instrument. It shows how to understand over 15,800 guitar chords! Go to the site by clicking
the name. If you like what you see, ORDER IT! Or if you have questions, let me know. My email is at the bottom of this page. Thanks for bearing with me. YOU DON'T HAVE TO READ NOTES OR MEMORIZE CHORD CHARTS to play music like the professionals.
AT LAST!!! MORE INFO!!
New Addition!! - Skipp is a Music Man Repair Guy who has
been answering questions for my readers for a while now. Whenever I can't
answer a question, he can. You can reach Skipp directly at
skipp025@yahoo.com.
He has a friend named Steve Kennedy who has amp schematics and more at
musicmanamps.com
Skipp also sent this Sting Ray I Control Plate Wiring Diagram:
Don't stop here! There's plenty more to see and read!
Check out these schematics sent by Skipp in July of 2005.
Click this link to email Skipp at skipp025@yahoo.com.
Here is the original price list from Music Man from 1976!
If you are an owner, you really
need to consider the '76 price, plus inflation, plus the extreme rarityof what you own!! (Sorry about all the exclamation
points, but I just found this list and I'm more excited than ever!!)Please click HERE
to see the July 1st 1976 Music Man Price List!!!
AND NOW, MORE INFO!! (8/99)
As for the Serial Numbers, the Sting Ray line had G001111 type serial numbers and the Sabre line had
A001111 type. The Sting Ray I that I bought in 1976 was G001172. The serial number on mine is stamped on the
chrome plate behind the neck. SEND YOUR SERIAL NUMBERS TO ME AND I'LL POST THEM!!
And thanks go out to Rich Evanko there is now info on the SabreI and Sabre II guitars. According to
the Outlaw Guitars price guide, the only difference between the Sabre 1 and 2 is the fingerboard radius. The
Sabre1 has a flat fingerboard (that's a 12" radius) with jumbo frets while the Sabre2 has an oval 7 1/2" radius
fingerboard. Otherwise they're identical. They were made from 1978-1982.
And from Christian Sørhaug a review that said the Sabre II guitar has, "2 MusicMan humbux. active electronics,
i.e. 9volt preamp, strat shape and headstock, 5-way PU switch,bolt on maple neck with maple fret board, string thru
body with tune-o-matic bridge, MusicMan tuners, phase switch and coil splitting switch." GREAT INFO!
AND NOW... the OWNERS!
I've been searching the web since January of
1996 for pages on Music Man original products. It was due to the lack of any that I created these pages.
So now, here is a list of some Music Man owners that have contacted me.
I'm sure there are more, so let me know if you are one or find any.
AND NOW... It's CLOSED!... The MUSIC MAN STRINGED INSTRUMENT PAGE is
closed. You might try going to
www.guitarsbyleo.com instead. You will probably find some MM stuff there.
There were 1023 registered users at the MMSIP site, many of which
were Amp owners and Bass owners. I am still dedicating my pages primarily to the
guitar owners, but I will still honor the Amp owners, too. As for the basses, I
believe Ernie Ball Corp. has done a splendid job of staying true to the MM Basses,
so I don't consider them as much of a rarity or collectors' item as the guitars
and old MM amps. Anyway, keep coming back for updates, especially now that the
MMSIP page is closed.
CHECK THIS OUT!
Thanks go out to Flemming Paulsen at fp@io.dk,
in Copenhagen, Denmark for this Sabre II contribution.