A photograph
in an old Zindler family album shows young
Marvin, resplendent in a drum major outfit,
baton in hand. The photographer has captured
the entire marching band of Houstons
Lamar High School just as they have stepped
forward, all at the same time, on the right
foot. Well, make that almost all;
Marvin, snappily and very conspicuously
leading the column, has stepped out with his
left foot. Scrawled at the bottom of the
photo, in Marvins handwriting, is this
caption, "Look, everybody is out of step
but me!"
The world has
always been "out of step" with
Marvin Zindler, who marches, and always has
marched, to the beat of his own drum.
Many photos
have been taken of Marvin since that long-ago
football game at Lamar High. Even if there
were no photographic record, however, his
white-hairpieced, blue-spectacled image has
been etched indelibly into the public mind.
But there are many sides to Marvin Zindler,
not all of them familiar to the public that
adores (or reviles) him.
There is the
Marvin who broke the mold into which he was
born: a well-to-do family entrenched in both
business and politics. Marvin was a renegade
from childhood, a young man who, according to
his fathers constant complaints, was a
playboy and neer-do-well. There is the
Marvin who was a prize fighter for awhile,
winning almost all of his 100 bouts
with his true prize being public recognition
and self-identity more than money.
Theres
the Marvin who was in law enforcement, as an
amateur cop who loved his job, and as a
deputy sheriff for more than 10 years,
existing in a love-hate relationship with the
department because of his unorthodox dress
and independent (to put it mildly) attitude.
There is
Marvin the failed haberdasher, who, to his
fathers everlasting dismay, was a dud
at the family business. It wasnt for
lack of trying, and Marvin tried many things,
including some experiments with inventive
(some would say deceptive) advertising. Years
later, of course, he would emerge as a
soldier in the war against that very type of
advertising.
There is
Marvin the radio star, who worked diligently
and sharpened his show business instincts
long before television appeared on the media
landscape. Theres Marvin, freelance
photographer for a Houston newspaper, a stint
which allowed him to combine his show
business instincts, his police experience,
and his penchant for action and
sensationalism.
And there is,
of course, Marvin Zindler the TV star, who,
other than the late Ed Sullivan, has been the
only performer ever to secure a lifetime
contract with ABC-TV. More than a showman, he
has become one of Texas and the
nations most respected journalists. In
fact, he won an Emmy in 1995 for Best Short
News Series entitled, "To Russia With
Love" a social, economic, and
medical documentary on the fall of the Iron
Curtain. Despite this, his television career
got off to a rocky start, as he was fired
from his first TV job for being "too
ugly."
There is
Marvin Zindler, master of self-reinvention,
who not only changed careers several times,
but changed his face with more than 30
cosmetic procedures. No longer the owner of
"a great face for radio," as the
saying goes, he is now quite handsome and
distinguished looking. And there is Marvin
Zindler, dapper dresser, whose clothing
choices on his more ostentatious days might
have even embarrassed Phyllis Diller.
There is
Marvin Zindler the activist: the "White
Knight, "the peoples
advocate," the inveterate altruist,
whose favorite saying is, "Its
hell to be poor!" There is Marvin the
famous (or infamous, depending upon your
point of view) muckraker, who unleashes his
wrath on everything from "slime in the
ice machine" to slime in the political
machine. And there is Marvin the tireless
world traveler, who has led medical and
goodwill missions to all corners of the
globe.
When it comes
right down to it, there is no single way to
describe Marvin Zindler. Many things are true
about him: that he is fiercely aggressive
when fighting for a cause, yet almost
childishly shy in person
that he is
forgiving, and yet almost frighteningly
vengeful when he feels he or someone else has
been wronged
that he is flamboyant and
egotistical, and yet profoundly good-hearted.
In the end, the only completely accurate
description is "unique." There has
never been anyone like Marvin Zindler, and
there never will be again. He is truly a
Texas legend, though I am not sure that even
the word "legend" really does him
justice.
As
Marvins cosmetic surgeon for many
years, I have sculpted his face on many
occasions, and as his long-time friend, I am
now attempting to paint his portrait, in
words and photographs.
Like Marvin
himself, this book is a little
unconventional, as biographies go. Rather
than being a strictly chronological
presentation of the events of his life, the
book is arranged more or less thematically.
For example, Marvins media career
from his early days in radio to his
current gig as one of Houston
televisions most colorful stars
is covered in a separate section from his
forays into law enforcement and politics. His
brief stint in the military, and his many
attempts at making it in the retailing
business, are in another section. Tales of
his world travels appear in another, and
family matters his late wife, Gertrude
Kugler Zindler, and the Zindler brood
are covered in another section. His famous
cosmetic surgeries, as well as other more
serious medical issues, are in yet another
section.
Naturally,
the Chicken Ranch saga has its own section,
as does one of Marvins most important
and productive investigative pieces, the
great Hermann Hospital Estate scandal of
85. During much of his early adulthood
and into midlife, Marvin was pursuing
multiple career avenues simultaneously,
living several lives at once, as it were: he
was into radio, politics, law enforcement,
newspaper reporting and photography, even a
little early TV news. For many years he was
still putting in time at his fathers
shop while engaged in one or more of the
above activities, and, of course, he was also
being a husband to Gertrude and father to a
growing family. I felt I could more easily do
justice to this multifaceted man by devoting
a separate portion of the book to each facet.
Nevertheless, within each section I have made
every attempt to keep the reader oriented in
time.
Though
Ive attempted to mold the book to fit
his life, I dont know if the essence of
someone like Marvin Zindler can truly be
captured between the covers of a book
but it is my hope that this effort will help
more people better know the white knight who
lives behind the trademark blue-tinted
glasses and the media hype. Of course, the
thousands of people who have been the
beneficiaries of his good works already have
a pretty good idea. While much of the world
may be out of step with Marvin, Marvin
himself is very much in step with the needs
of those who are least able to help
themselves. As a result, he has many fans.
Perhaps it is my wish that this book will
help win him more, or, at the very least,
that it will help a great many more people
learn to truly appreciate the heart behind
Houston televisions most famous call to
arms:
"Maaaaaaaaaaarvin
Zindler, Eyewitness News!"